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By Eric Park
I am delighted to meet and interview Gayoung, a renowned violist whose musical journey spans both classical and crossover genres. Currently a faculty member at Kyung Sung University and the music director of the traditional crossover group Dongbaek Circus (동백유랑단), Gayoung offers a unique perspective on blending Korean traditions with classical music—an approach that has recently garnered significant attention. Join us as she shares her personal journey with the viola, her favorite pieces, and her aspirations for the future of both her music and her group."
First, please introduce yourself.
Hello, it's nice to meet you! I am a violist actively involved in both classical and crossover music. I am currently working at Kyung Sung University, and most importantly, I am the music director of the traditional crossover group “Dongbaek Circus,” where I am fully dedicated to our activities.
When we think of string instruments, we usually think of the violin or cello, but what made you choose the viola? Also, what do you think is the charm of the viola?
The reason I chose the viola seems to align with my personality. I have a natural tendency not to be drawn to things that everyone else is excited about. When I first heard the sound of the viola, it seemed less assertive than the violin or cello, but when I listened closely, I realized it had such a deep, meaningful voice. It almost sounded like the voice of someone with a cold, which I found amusing.
Who is your favorite composer, and what is your favorite piece to perform? Why?
My favorite piece is the Viola Sonata by Rebecca Clarke. As a violist and composer, Rebecca Clarke is able to bring out the unique charm of the viola like no other composer. Her style is also a perfect match for my taste, showcasing the beauty of late romanticism.
Can you tell us about Dongbaek Yurangdan and how you became involved with the group?
Dongbaek Circus is a Korean classical crossover group made up of renowned Korean traditional musicians from Busan, along with classical musicians. This is the main focus of my current work. The group aims to represent both Korean and Busan identities through music, using traditional Korean instruments like the Taepyeongso. Our goal is to expand globally. Together with crossover pianist Lee Dongwook, we compose and arrange various pieces, including original works like "Gwangalli Blues," "Dongbaek Carnival," and "Puri."
As a violist, what are some challenges you face, and when do you feel most rewarded?
The challenges I face are related to the viola’s mid-range frequency, which requires a lot of precision and attention to balance. It is essential to work with professionals who have a delicate touch. Technically, it can be quite difficult.
However, I always feel a sense of reward, especially when I collaborate with like-minded musicians to form unique groups like Dongbaek Circus and we successfully complete a performance. The fulfillment and happiness I experience at those moments are indescribable.
Some people find classical music difficult to approach. What would you recommend for people who want to start enjoying classical music?
Personally, I don’t believe classical music needs to be massified. It’s like enjoying wine – you don’t needto study it deeply to enjoy it. However, rather than learning it academically, I would recommend finding classical pieces that appeal to you, learning about the composer, and exploring the era they lived in. My first encounter with classical music was through the legendary violinist Chung Kyung-wha’s performance of Tchaikovsky's Violin Concerto, which ultimately shaped the path that led me to where I am today.
What are your future plans for performances and music activities? Do you have any musical bucket list?
I believe that the most "Busan-like" and "Korean-like" things can also become the most international. My current goal is to continue my work with Dongbaek Circus, a group that blends classical and crossover music. While maintaining a classical identity, we aim to reach a larger audience, connecting with more people and showcasing music that represents Busan and Korea in a way that is both global and approachable.
Gayoung’s dedication to her craft and her passion for blending classical music with traditional Korean elements through her work with Dongbaek Circus offers a unique and enriching experience for music lovers. Whether you're a long-time classical enthusiast or new to the genre, her performances promise to captivate and inspire. We encourage you to keep an eye out for future performances and experience the fusion of diverse musical traditions for yourself – a journey that bridges cultures and resonates deeply with all who listen.
Dongbaek Circus
Instagram: dongbaek_circus
Youtube:
m.youtube.com/@dongbaekcircus
About the Author
Eric Park is the Art Director for United on the RoK Mag and partner at Oriental Press. Eric Park enjoys photography and classical music.